miércoles, 26 de marzo de 2014

JEWISH COMMUNITY CENTER. LOUIS.I. KAHN. 1954-59







“Today, we must build with hollow stones…the nature of space is further characterized by the minor spaces that serve it. Storage rooms, service rooms and cubicles must not be partionated areas of a single space structure, they must be given their own structure.” 




“The Trenton Bath House is derived from a concept of space order in which  the hollow columns supporting the pyriamidal roof distinguish the spaces that serve from those being served. The 30’x30’ spaces under the roofs remain undivided and the 8’x8’ hollow columns provide the needs of smaller spaces. “


 “The Trenton Bath House gave me the first opportunity to work out the separation between the serving and served spaces. It was a very clear and simple problem. It was solved with absolute purity. Every space is accounted for, there is no redundancy. I used them as a maze, a baffle, and I used the hollow column itself as a storage area. I used it for toilets, which must be enclosed. And I found, during the expression of this very simple building, the concept of the serving and served spaces… I thought of a support as being a hollow column which can be used. That’s the only place where I could put the services. So the source of support, the column, became the place which harbored the service of the building.” 




Adler House







COMMUNITY BUILDING. PRIMERA FASE. 1955-56.

Esquema de la planta primera, 3 de Noviembre, 1955. Estudio del programa organizado con una retícula octagonal. Kahn emplea espacialmente el concepto de unidad definido en la casa Adler y en la casa de Vore. El patrón geométrico de 54 octágonos y 76 cuadrados permite una interesante interpretación del concepto de espacios servidores y servidos y permite albergar los elementos del programa: armarios, salones, clases, enfermería, administración, gimnasio, cocina, recibidor y un auditorio.
De Vore House







Noviembre 1955

Plano de la planta primera, Marzo de 1956. Muestra dos variaciones de la agrupación de octágonos, basado en una retícula. En ambos casos, se considera la entrada desde el noreste; en la segunda versión el gimnasio se localiza en el eje de entrada. 







“The thought about an ‘order of spaces’ which discriminates between ‘areas that serve’ and ‘served spaces’ came to me one day while studying the Trenton Bath House problems: this thought I realized was fundamental to architecture, not merely a design applied to a single problem.The significance of this fundamental space distinction in architecture was immediately recognized by teachers of architecture with whom I am associated and I began (even before the Bath House was fully designed) to teach its implications.

The principle now belongs to everybody, but my personal design interpretations as in the Bath House and in subsequent buildings belongs only to me. The artist instinctively discriminates between order (concept derived from ‘finding’) which is impersonal, and design (the work – the composition) which is personal. “



COMMUNITY BUILDING. SEGUNDA FASE. 1957.

En esta fase de diseño, Kahn utilize una retícula en tartan, utilizada en numerosos proyectos universitarios, especialmente en Gran Bretaña y Alemania, para organizar programas complejos de edificos. El patrón a grandes y pequeños intervalos crea zonas de diferentes anchuras a diferencia de los espacios regulares generados por la malla ortogonal.

Kahn utiliza la malla en tartán para organizar los espacios así como para localizar los elementos estructurales. Su principal problema fue cómo construir el tejado sobre grandes áreas diáfanas, como en el gimnasio y el hall, sin perder la armonía del conjunto.








COMMUNITY BUILDING. TERCERA FASE. 1957-58.

En esta fase Kahn propone dos sistemas de cubierta adicionales para solucionar el problema de las grandes luces.

 “The large space demands the large span, this identifies one of the order in the hierarchy of spaces which make the connecting building from the small servant space of significance” 





 CUARTA FASE. 1958.

En esta fase Kahn experimenta con el equilibrio entre cubiertas piramidales e invertidas. Cambia el concepto de proyecto, de un puro rectángulo a una expresión volumétrica más explícita que responde a las distintas funciones del programa.




ÚLTIMA FASE. 1958. NO CONSTRUIDO.

 La Comunidad ha encontrado su orden de espacios y volúmenes. El auditorio y el gimnasio conforman dos extremos potentes con los edificios más bajos entre ellos.

Planta de cubiertas, Agosto de 1958. Muestra la aplicación del tartan en el sistema estructural, que ayuda a reducir la complejidad del centro. La entrada publica y el interior establecen una jerarquía de espacios públicos, semi-públicos y “privados”. 




La colaboración con la comunidad judía de Trenton acabó con una triste carta de Kahn hacia su aogado el 21 de diciembre de 1959.


 “Dear Dave;
I’m glad that you were able to make the break with Trenton so clear and I thank you for it.
It is hard to have given this building up because in contained a statement important to principles in architecture, which I was able to express in this building. The preliminary drawings were published in several foreign magazines as though it were under construction. I have no hopes that they will go back to my plans… thank you again for your wonderful judgement and advice. “









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